The minor music ceased and all eyes in the room were turned to her. She rose to her feet as a hooded cobra comes toward its prey, sparing a sidewise surreptitious smile of confidence for Ranjoor Singh that no eye caught save his; yet as she turned from him and swayed in the first few steps of a dance devised that minute, his quick ear caught the truth of her opinion:

"Buffalo!" she murmured.

The flutes in the window wailed about mystery. The lights, and the sandal-smoke, and the expectant silence emphasized it. Step by step, as if the spirit of all dancing had its home in her, she told a wordless tale, using her feet and every sinuous muscle as no other woman in all India ever did.

Men say that Yasmini is partly Russian, and that may be true, for she speaks Russian fluently. Russian or not, the members of the Russian ballet are the only others in the world who share her art. Certainly, she keeps in touch with Russia, and knows more even than the Indian government about what goes on beyond India's northern frontier. She makes and magnifies the whole into a mystery; and her dance that night expressed the fascination mystery has for her.

And then she sang. It is her added gift of song that makes Yasmini unique, for she can sing in any of a dozen languages, and besides the love-songs that come southward from the hills, she knows all the interminable ballads of the South and the Central Provinces. But when, as that evening, she is at her best, mixing magic under the eyes of the inquisitive, she sings songs of her own making and only very rarely the same song twice. She sang that night of the winds of the world which, she claims, carry the news to her; although others say her sources of information speak more distinctly.

It seemed that the thread of an idea ran through song and dance alike, and that the hillmen and beyond-the-hills-men, who sat back-to-the-wall and watched, could follow the meaning of it. They began to crowd closer, to squat cross-legged on the floor, in circles one outside the other, until the European three became the center of three rings of men who stared at them with owls' solemnity.

Then Yasmini ceased dancing. Then one of the Europeans drew his watch out; and he had to show it to the other two before he could convince them that they had sat for two hours without wanting to do anything but watch and listen.

"So wass!" said one of them—the drunken.

"Du lieber Gott—schon halb zwolf!" said the second.

The third man made no remark at all. He was watching Ranjoor Singh.

The risaldar—major had left the divan by the end wall and walked—all grim straight lines in contrast to Yasmini's curves—to a spot directly facing the three Europeans; and it seemed there sat a hillman on the piece of floor he coveted.

"Get up!" he commanded. "Make room!"

The hillman did not budge, for an Afridi pretends to feel for a Sikh the scorn that a Sikh feels truly for Afridis. The flat of Ranjoor Singh's foot came to his assistance, and the hillman budged. In an instant he was on his feet, with a lightning right hand reaching for his knife.